Paint, fiberglass and flock, 1938 Dodge, recorded music and player, chicken wire, beer bottles, arificial grass, and cast plaster figures, Other works from Los Angeles to New York: The Dwan Gallery, 1959-1971. Materials include: paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial glass, and cast plaster figures ( Log Out /  Los Angeles County Museum of Art Report, July 1, 1981-June 30, 1983. Chavoya, C. Ondine; Rita Gonzalez, eds. Polyester resin, paint, fiberglass, and flock, truncated 1938 Dodge, clothing, chicken wire, beer bottles, artificial grass, and plaster cast. In 1966, The Los Angeles County Board of Supervisors threatened to shut down an exhibition of Edward Kienholz’s work at the Los Angeles County Museum of Art. Paris: Editions du Centre Pompidou, 2001. Asco: elite of the obscure, a retrospective, 1972-1987. Back Seat Dodge '38. Powered by WordPress and Chun. with distortion filling the hazy air in the back seat of the 1938 dodge, a shocking sculpture by Edward Kienholz that caused a scandal when it was exposed at the Los Angeles County Museum of Art in 1966. Back Seat Dodge ’38 is now part of the permanent collection at LACMA, and has been exhibited two more times since its debut; both times with the car door open. Opus 1. Paint, fiberglass and flock, 1938 Dodge, recorded music, and player, chicken wire, beer bottles, artificial grass, and cast plaster figures. Change ), You are commenting using your Facebook account. The curators disputed the claim, insisting upon its status as an artwork. 66 x 240 x 144 in. Ever since,Back Seat Dodge ’38 has drawn crowds. Belmont, CA: Wadsworth/Thomson Learning, 2003. Limited-Edition Prints by Leading Artists, Los Angeles to New York: The Dwan Gallery, 1959-1971. The song unfortunately did not have the same success as the sculpture, Opus 1 were formed by drummer John Christensen when he needed a band for his house party and called the rhythm section of Chris Morgan and the Togas, who at the time lived just down the road from Christensen. Polyester resin, paint, fiberglass, and flock, truncated 1938 Dodge, clothing, chicken wire, beer bottles, artificial grass, and plaster cast. The uproar led to more than 200 people lining up to see the work the day the show opened. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. View this publication in LACMA's Reading Room. Francis, Mark, ed. Other images may be protected by copyright and other intellectual property rights. Kienholz opened the famed Ferus Gallery with Walter Hopps in 1957, and the same gallery housed the artist’s first solo exhibition. The piece remained in the show under one condition: the back seat door to the truncated car would stay closed unless an adult visitor requested it to be opened. The controversy resulted in very high attendance. Concerts feature leading international and local…, Art & Music,Jazz at LACMA,Latin Sounds,Sundays Live, Painting, printmaking, collage, and more—all from the comfort of your own home!…, Random International’s Rain Room (2012) is an immersive environment of perpetual…, Typography is at the heart of visual communication. His…, On view at LACMA for the first time in almost 20 years, Slowly Turning Narrative…, LACMA’s modern collection will be relocated from the Ahmanson Building to the to…, LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…, Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council, Welcome to the employment page of the Los Angeles County Museum of Art. Tuchman, Maurice. Jahrhundert. Surrounding Interiors: Views Inside the Car. Phil Freshman. Los Angeles:  Los Angeles County Museum of Art and Berkeley:  University of California Press, Berkeley, 2000. Kienholz’s installation work, The Back Seat Dodge ’38 (1964), was first exhibited in LA in 1966 when it scandalized the county supervisors, who labeled it as “revolting, pornographic, and blasphemous” and requested the closure of the exhibition. Becoming increasingly three-dimensional and figurative throughout his career, Kienholz’s work offered unflinching critiques of modern society, including issues of race. Photo dated: March 26, 1966. We have automatically redirected you to the new page. ( Log Out /  München: Verlag C.H. ( Log Out /  The selection, organization,…, The first substantial project on the art of Fiji to be mounted in the United Sta…, Few artists in Chinese history have proven as enigmatic as the great Ming dynast…, Rufino Tamayo (1899–1991) was a leading Mexican artist of the 20th century who a…, From February 2017 to January 2019, New York-based artist Vera Lutter was invite…, Yoshitomo Nara is among the most beloved Japanese artists of his generation. "Back Seat." The board declared Kienholz’s sculpture of a drunken amorous encounter, titled Back Seat Dodge ’38, pornographic and unfit for the museum.

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