Discover releases, reviews, track listings, recommendations, and more about Mozart*, Ingrid Haebler • Henryk Szeryng - Sonatas For Piano And Violin K. 377, K. 378 at Discogs. In addition to everything else – composer of astonishing invention and fluency, virtuoso pianist, all-round boy wonder – Mozart was an accomplished violinist and violist. 25 in F major, K. 377/374e; Violin Sonata No. We will never use cookies to retrieve information from your computer that did not originate from ArkivMusic.com. John Henken is the Los Angeles Philharmonic Association’s Director of Publications. that spills over into the succeeding Allegro as well as into the variations that constitute the finale. So it is hardly surprising that Mozart composed a number of sonatas for violin and piano – or rather, for piano with violin. 27 av Mozart; ヴァイオリンソナタ第35番; Sonate pour violon en sol majeur K. 379; Sonata para violín n.º 27; Violin Sonata No. Please select a donation amount. the Studio Baumgarten, Vienna (and employing the same equipment). Your belief in the power of music to heal and transform makes our work possible. Play Your Part, support the LA Phil. The first movement is driven by the energy of fleet triplets flowing between the instruments as they trade melody and accompaniment. K. 377, the third of the set, is a vigorous and dramatic work full of surprises. All Rights Reserved. Violin Sonata in E minor, K.304/300c Violin Sonata in E-flat major, K.302/293b Violin Sonata in G major, K.301/293a Violin Sonata in F major, K.376/374d Violin Sonata in C major, K.296 Violin Sonata in F major, K.377/374e Violin Sonata in B-flat major, K.378/317d Violin Sonata in G major, K.379/373a Violin Sonata in E-flat major, K.380/374f Cookies are important to the proper functioning of a site. 27 Name Aliases KV 373a ; KV 379 ; Violin Sonata in G Major, K… Complete your Mozart*, Ingrid Haebler • Henryk Szeryng collection. The second movement is an extraordinary set of variations in D minor. To the last work on the program, the Sonata in F Major, K 547, they take an approach that seems genial and relaxed in the first movement, an. This site uses cookies to offer you the best possible experience. Visita nuestra página web en español. Try disabling any ad blockers and refreshing this page. For details on how we use cookies, see our. To these kinds of listeners the thoughtful though not ponderous performances (despite the tendency for both major and minor to sound similarly subdued) can be warmly recommended. Give Now The ambiance enhances their elegant reading of the first movement, which bubbles up exuberantly from the bass part; it lends weight to the sensitive reading of the second (in which Hink plays the cantabile passages with special eloquence), and it provides a firm underpinning in their cheerful performance of the finale. The Minuet finale, complete with a contrasting Trio section in B-flat, reduces the violin to its most subservient role. This progress was well advanced in the summer of 1781, when Mozart gathered a set of six sonatas for publication in his new home, Vienna. Click Agree and Proceed to accept cookies and go directly to the site, Werner Hink and Keiko Toyama recorded Mozart’s Sonata, K 296, on February 3–4, 2006, and the rest of the program on March 22–24, 2007, all in. About this Piece. ArkivMusic - The Source for Classical Music! ¿Hablas español? A cookie enables our system to recognize your browser and allows us to keep your session intact on ArkivMusic.com. In addition to everything else – composer of astonishing invention and fluency, virtuoso pianist, all-round boy wonder – Mozart was an accomplished violinist and violist. Sonata in F, K. 377. (Tellingly, this publication was dedicated to a pianist, Josepha von Auernhammer, not a violinist). Moreover, the violin accompaniment is so ingeniously combined with the piano part that both instruments are continuously employed; and thus these sonatas demand a violinist as accomplished as the pianist.”. Give Now In the unfinished Sonata, K 403, the duo crunches along in the opening, but allows the textures to turn duskier as the movement proceeds (it’s hard to discern in this reading of the movement the stiffness that Otto Biba claims some have found in it).

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